Wednesday, December 31, 2014

MØ has a new year treat for you

Danish electro-pop singer has plonked a new song on YouTube. It is called New Year's Eve, which is a stunning coincidence because today just happens to be New Year's Eve. What are the chances?

"As a thanks to all of you who've been supporting me in 2014 here's a new song. Have a GREEEEEEAT new year y'all," she wrote on Facebook, having briefly been possessed by Tony The Tiger.

The song is a delicate plea for camaraderie from "a gross teenager trapped in a grown up shape". "Oh friend will you fly with me into fire?" she asks. "We forget about our problems... in the new year".

As you can probably tell, it's not one for your midnight playlist (unless you're deliberately trying to make everyone around you miserable) but it's still got an elegiac beauty that would suit your 4am comedown.



The song is supposed to be a free download on MØ's Soundcloud page, but the link seems to be broken at the moment. :(

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Listen to a good single by Ameriieeieie

Here is husky-voiced "It's this one thing that's got me trippin'" singer Ameriie (formerly known as Amerie), with a new single called Mustang that is quite simply superb.

As Popjustice adroitly observes: "It's an electro song and it's an R&B song but it's also kind of neither; it sounds fresh but it also sounds like 2005; there are times when its sparseness really works, and there are times when it sounds like a demo."

The oddities of its production aside, I've always been impressed by Ameriie's songwriting "chops" - the harmonic shift in Mustang's chorus is a particularly clever trick, and one that lifts the song above the average.



As well as adding further unnecessary vowels to her name, Ameriie will be spending 2015 recording two albums, giving away a free EP and writing two novels. In no sense will the quality threshold be lowered by the end of March.

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Tuesday, December 30, 2014

Taylor Swift's 1989 reclaimed by country music

Taylor Swift may have abandoned country music, but country music hasn't forgotten her.

Just before Christmas, singer-songwriters Louisa Wendorff and Devin Dawson created a mash-up of Style and Blank Space, giving the two songs an acoustic Nashville twang and a clever "he said / she said" dynamic.

The video languished on YouTube for a couple of days, until T-Swift herself spotted it and tweeted this.


The clip has since surpassed a million views and Louisa's current EP is shooting up the iTunes singer/songwriter charts. The singer is, understandably, freaking out.




But she deserves the attention -- check out her YouTube channel to hear a singer with a talent for spotting unlikely connections between songs (her dual cover of Beyonce's Pretty Hurts and Colbie Caillat's Try is a superb example of combining two complimentary lyrics to create something devastatingly effective).

Check out the Taylor Swift cover below... It's rather special.

Louisa Wendorff - Blank Space / Style (with Devin Dawson)


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Grimes recorded a big daft Christmas song on Christmas Day

"My dad is making me watch a Bowie documentary and is standing directly in front of the TV singing along to it," tweeted pop singer (and part-time Christmas decoration) Grimes the other day.

So it's no small wonder that every year, she and her stepbrother Jay Worthy excuse themselves from Christmas dinner to make new music.

A previous attempt, Christmas Song, showed up as an iTunes bonus track on Grimes' 2012 LP Visions and she uploaded this year's effort, Christmas Song II (Grinch), to YouTube on Saturday.

"This is NOT a single from the upcoming album, not a serious piece of art in any capacity and not an official grimes release," she noted. Also — made this song in prob less than 2 hours so please excuse my terrible production, + it is not mixed or mastered."

Caveats aside, this is unspeakably cute, if rather sweary.

Grimes - Christmas Song II (Grinch)

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Sunday, December 28, 2014

Discopop Directory: Top 10 singles of 2014

When I sat down and totted up my iTunes play counts for this year's Top 10, I had to double check my numbers. I had fully expected Clean Bandit's Rather Be and Ed Sheeran's Thinking Out Loud to be among my most-listened-to songs of 2014 and, while both came close, the data doesn't lie.

So, the following singles are the ones I've compulsively added to iTunes playlists over the last 12 months and they represent the soundtrack to my year, free of self-censorship, editorialising and Sam Smith.


10) Charli XCX - Boom Clap
It's safe to say Charli XCX had low expectations for Boom Clap. She sent it to Hilary Duff. She bunged it onto a film soundtrack. She wrote the lyric "the beat goes on and on and on" and couldn't be arsed to change it.

But the track sparkles - partly because, for once, Charli isn't trying so hard to come across as a teen rebel. From the masterfully concise intro to the honey-drop "la la las" in the final chorus, it's a great big hug of a song.

Oh, and the lyric "you're the glitter and the darkness in my world" couldn't be a better fit for The Fault In Our Stars and its skewered tale of young love.




9) SBTRKT ft Ezra Koenig - New Dorp, New York
The best-sounding single of the year, throbbing with mystery and possibility - even though it's just a bass drum, an elemental bassline and a few sound effects.

Ezra Koenig delivers a dream-state vocal, listing the sights of Staten Island and "flag slappin' Manhattan", although what he's actually on about is anyone's guess.

It's just a shame the rest of SBTRKT's album didn't live up to this promise.



8) Katy B - Crying For No Reason
AKA Katy B's secret weapon. A Guy Chambers co-write, Crying For No Reason is a "proper" ballad about the damage caused by buried emotions, with a hat-tip to Madonna's Frozen in its clattering drum fills.

Katy's delivery makes the song indispensable. "I never faced all the pain I caused," she sings with tangible anguish. "Now that pain is hitting me full force".



7) Prince - Breakdown
Twelve months ago, I would never have expected a Prince single to feature in this Top 10. But here he is, reinvigorated by those hit-and-run London concerts, delivering his most devastating ballad since The Beautiful Ones.

Apparently an autobiographical account of his former excesses - "I used to throw the party every New Year's Eve / First one intoxicated, last one to leave" - it's also a love letter to the person (higher power?) who set him free.

If Frank Ocean had released this, it would have been everywhere. But Frank Ocean could never have hit those high notes in the coda.



6) Mark Ronson ft Bruno Mars - Uptown Funk
Speaking of Prince, here's a tribute act.




5) Lorde - Yellow Flicker Beat
By Lorde's standards, Yellow Flicker Beat is a minor single but there's something about her performance that draws me in. Maybe it's the killer hook, maybe I'm hypnotised by the frail hum that runs through the entire song - either way, it's murderously addictive.

As with Boom Clap, Lorde's song is a perfect marriage between lyric and source material (in this case, The Hunger Games: Mockingjay). If you can't imagine Katniss Everdeen singing "I made a little prison and I'm locking up everyone who ever laid a finger on me," then you're doing it wrong.




4) The Staves - Blood I Bled
The Staves really raise their game on this Bon Iver-produced song, the immaculate layering of their harmonies matched by the steady build of instrumentation from a single, hand-picked guitar to the soaring, astral strings of the closing moments.

Truly exceptional.




3) Jessie Ware - Tough Love
"Sophisticated" and "tasteful" are dirty words in pop but Jessie Ware proves they don't have to be. Tough Love has a surface layer of calm, but listen closer and you'll hear the strain in Jessie's voice as she confronts a no-good lover - "so you want to be a man about it, do you?" We never find out exactly what he's done, but the cheeky lift from Prince's Little Red Corvette suggests it's not just his eye that's been wandering.

Repressed anger has never sounded so beautiful.



2) Tove Lo - Truth Serum EP
Rarely does a pop act arrive as fully-formed as Tove Lo, whose dispatches from the front line of love are catastrophically honest.

The Truth Serum EP is an X-rated Mills and Boon potboiler, chronicling a relationship from the first heady rush of love to a devastated, drug-fuelled break-up.

Every track hits you like a hurricane - the pop hooks deployed like rock riffs as Tove excavates her darkest secrets. No wonder her mother was worried about her when she heard it.



1) Taylor Swift - Shake It Off
Let's face it, Shake It Off was more calculated than Fermat's Last Theorem. Co-written with not one, but two of Sweden's biggest hitmakers, it was stuffed with heard-it-before hooks, yawnsome self-empowerment clichés ("haters gonna hate") and employed the phrase "this sick beat" without any apparent irony.

But if Taylor's ambition was to write a stone-cold pop classic, she hit the nail on the head. Squarely. With a fucking jackhammer.

The melody is indelible, and the urge to dance like a dork is irresistible, thanks to that infectious drumbeat. Oh, sick beat. I get it now.

PS: The song would still be better if she sang "bakers gonna bake, bake, bake, bake, bake". And that's a fact.



And, because it's been a great year for singles, the next 11 would have been:

11) Banks - Beggin' For Thread
12) Tove Stryke - Even If I'm Loud It Doesn't Mean I'm Talking To You
13) Lana Del Rey - Ultraviolence
14) Gorgon City ft MNEK - Ready For Your Love
15) Clean Bandit - Rather Be
16) Ed Sheeran - Thinking Out Loud
17) Beyonce - Partition
18) Kelis - Rumble
19) Ed Sheeran - Sing
20) Katy Perry - Dark Horse
21) The Veronicas - You Ruin Me

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Saturday, December 20, 2014

Madonna - are those new tracks any cop?

Madonna wasn't supposed to put out any new music this year. But that was before a "helpful" associate decided to share demo tracks for her entire new album with the internet.

The star had been plagued by leaks anyway. Earlier this month, she posted a photo of a smashed iPod on Instagram as a reaction to the appearance of the title track, Rebel Heart. "This broken ipod is a symbol of my broken heart!" she wrote. "I have been violated as a human and an artist! #fuckedupshit."


If I was the source of the leaks, I'd wouldn't like to be around when Madonna finds out my name. But at the same time, she pretty much has herself to blame - her 13th album has been gestating longer than an elephant and the more people get involved, the more likely it is that something will tunnel it's way onto the internet.

But, being Madonna, she responded in style: Tackling the leaker head on by depositing five tracks on iTunes, and another onto YouTube this morning.

"I was hoping to release my new single 'Living For Love' on Valentine's Day with the rest of the album coming in the Spring," she said in an official statement. "I would prefer my fans to hear completed versions of some of the songs instead of the incomplete tracks that are circulating. Please consider these six songs as an early Christmas gift".

Living For Love, sadly, is the YouTube-only track but it's the most interesting, because it was supposed to (and basically still does) set the tone for the album. It sounds like this:

Madonna - Living For Love

So what's all this new material like? It's quite simple: If you like Living For Love, you're going to like everything else. Diplo, the album's main producer, has his fingerprints everywhere - dirty synth hooks, pitch-shifted vocals and, on Unapologetic Bitch, a cod-reggae backing track. The only exception is Ghosttown, a stately ballad that sounds like a future single.

Personally, though, I'm not a huge fan of Madonna's late-period vocals - she's still doing that half-sung, half-spoken trick that became her stock sound on the Hard Candy album. It's a style that makes good use of her limited range, but it has the tendency to sound harsh and bitter, even when the lyrics are sentimental.

That's not always a problem here - as the song titles suggest ("Bitch, I'm Madonna", "Unapologetic Bitch", "Illuminati") she's in street-fighting mode right now, and Diplo usually has the good sense to dress her up in club sounds (all over, all over) that make a virtue of her demanding delivery (from her head down to her toes).

After my first few listens, the Madge album it compares to the most is Confessions On A Dancefloor - aka her last decent record - so the auspices are good. A solid 6/10.

You can get the tracks for yourself by pre-orderding Madonna's album, Rebel Heart on iTunes.

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