Top 10 albums of 2018

Better late than never... These are the records that went on repeat at Discopop Towers^TM in 2017. Which was a week ago.

10) Muna - About U

When you're beaten and a friend unexpectedly comes to your defence. When you're silently hurting and someone notices. When you just need to be understood. That's what this album is, but songs.



9) Billie Eilish - Don't Smile At Me

Technically an EP, but longer than most Beatles' albums, so I'm allowing it.

Billie Eilish has a faultless ear for melody, a lean-closer voice and a bucketful of acidic lyrics. Everyone, including me, goes on about Bellyache, where she fantasises about killing her friends. But my favourite (because I actually lived it) is Party Favor, where she casually and callously dumps her boyfriend on his birthday. "I hate to do this to you on your birthday," she coos. "Happy birthday, by the way".


8) Wolf Alice - Visions Of A Life

Good luck summing this one up. Ellie, Theo, Joff and Joel sound like they've raided the musical pick'n'mix counter, grabbing handfuls of grunge and dream-pop and punk shoegaze and anything else that takes their fancy - Ellie even borrows Neil Tenant's deadpan vocal "stylings" on Sky Musings. But somehow it works. You can holler along to Beautifully Unconventional, you can spit at Yuk Foo, you can swoon to Don't Delete The Kisses.

"I think hummus is quite a good analogy for our album," Ellie told me in September. "You get all these different varieties but at the end of the day they're all hummus."

Told you it was impossible to sum up.


7) Kendrick Lamar - Damn

The fire, the fury, the blood, the piss, the faith, the doubt, the humility, the false humility, the Rihanna duet, the breezy, casual competence of it all. At this point, he's basically showing off.



6) Paramore - After Laughter

Paramore's technicolor fifth album completes their transformation into pin-sharp pop stars - but not, like, Katy Perry or anything. ("I can't imagine getting up there and playing a Max Martin song – at that point we might as well just stop," guitarist Taylor York told The New York Times in April).

Instead, they take their cues from the angular elbows and polyrhythms of Talking Heads and Cyndi Lauper, while Hayley Williams picks at the scabs of her depression in a procession of unflinchingly stark lyrics.

My favourite track is Rose Colored Boy - where she rages against an irritatingly glass-half-full acquaintance. "And oh, I'm so annoyed," she hisses, "'Cause I just killed off what was left of the optimist in me". Sad-dancing hasn't been this good since Robyn last released an album.



5) Lorde - Melodrama

Too clever for its own good, Lorde's second album suffers from a surfeit of ideas. When they work (the conspiratorial tongue click on Perfect Places, the submerged vocal samples of Sober) it's glorious. But other tracks threaten to collapse under the weight of their ambition. It's telling that the standout moments are the simplest: Liability and Writer In The Dark.

But you can't argue with Ella Yelich-O'Connor's facility with melody, nor her gothic, awkward, evocative lyrics - somehow cool in their lack of coolness.

"We're the greatest/ They'll hang us in the Louvre / Down the back... but who cares? Still the Louvre" is a stand-out, but my absolute favourite is "I'm closing my teeth around this liquor-wet lime".

A flawed masterpiece.



4) Dua Lipa - Dua Lipa

Was it groundbreaking? No.
Did it rewrite pop history? No.
Was it an unimpeachable collection of pop songs? Yes.

New Rules was the standout, naturally, but you get six other singles for your money, from the self-descriptive Hotter Than Hell to the ridiculously danceable Blow Your Mind (Mwah). And check out Dua's sultry, husky vocals on Thinking 'Bout You for proof that she's set to be the UK's finest pop star.


3) St Vincent - Masseduction

All seedy glamour, giddy highs and unsettling lows, St Vincent's fifth album is as sticky and messy as real life gets.

Over crunching programmed beats, her stories invariably deal with loss of control ("I cannot stop the airplane from crashing," she sings on the title track), with references to mood-stabilising drugs, and a soul-crushing break-up ("how can anyone have you and lose you and not lose their mind, too?" - Los Ageless).

Annie Clark's most personal album to date, it's also her most pop-fuelled. She's ably assisted in this by Jack Antonoff, who also produced Lorde and Taylor Swift's latest albums, but never surrenders her wit, her inventiveness or her fury.


2) Kesha - Rainbow

When life gives you lemons, make a defiantly bonkers hillbilly pop record.

Kesha may not have won her freedom from Dr Luke, the producer and label boss she accuses of drugging and sexually abusing her (claims he denies) but she was finally free to make the music she wanted.

Out go the vocoders and retrospectively creepy lyrics about being drunk and out of control. In come throat-shredding vocals and revelatory songs about resilience, compassion, independence and, er... dating Godzilla.

The back story makes it compelling, but it's the songs that keep you coming back.

1) Laura Marling - Semper Femina

Acres of newsprint were wasted discussing how Laura Marling wrote about femininity from a male perspective. For a start, she abandoned that conceit half-way through (although the record is broadly about female archetypes, from the wild child to the artist's muse). But worse than that, it steers your attention away from the mesmerising beauty of these songs.

The album opens with Soothing, whose prowling, sensuous bassline suggests all kinds of sex, until Marling kicks her lover out: "I banish you with love". On Wild Fire, she channels Lou Reed, while shaming a plonker who tells her "you're at your most beautiful when you don't know you're being watched". "Maybe someday when God takes me away," she drawls. "I'll understand what the fuck that means."

Musically, she's never sounded more relaxed. Under the watchful guidance of Blake Mills (Alabama Shakes, Fiona Apple) she lets in all sorts of new musical textures - backmasked vocals, sweeping strings, even a guitar solo - that add to the dramatic acuity of her lyrics.

Beguiling and brilliant, it's the best album of her career.

Here's a playlist of tracks from the Top 10 albums. You can see numbers 11 to 20 below.

FYI: The next 10:
11) SZA - CTRL
12) Taylor Swift - Reputation
13) Lana Del Rey - Lust For Life
14) Stormzy - Gang Signs & Prayer
15) J Hus - Common Sense
16) Haim - Something To Tell you
17) Niia - I
18) Feist - Pleasure
19) Jessie Ware - Glass House
20) Jay-Z - 4:44

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Top 10 singles of 2017

So it's been... er, five long months since I last updated the blog. But I couldn't resist compiling my Top 10 singles of the year.

This year's list is extremely pop heavy, even for me, but the choices are determined by my iTunes play counts, which means they represent the songs I actually listened to over the last 12 months.

So here we go... in reverse order, with a playlist of the videos at the bottom of the post.


10) Lorde - Green Light

Max Martin called Lorde's comeback single "incorrect songwriting" but to my mind, that's a compliment. Green Light's awkward lurch from verse to pre-chorus encapsulates everything that's brilliant about Lorde - a pop star who's not afraid to embrace her weirdness (cf her performance at this year's MTV Awards).

Green Light isn't the best song on Melodrama, but there's something graceful about its clumsiness that kept me coming back for more.



9) Don't Kill My Vibe - Sigrid

Rae Morris made it into my Top 20 with the sublime Do It, a song about falling in love with her producer. Don't Kill My Vibe tells the opposite story - of how pop-star-in-waiting Sigrid Raabe was patronised and demoralised by an obnoxious studio boffin. Working with more sympathetic collaborators, Sigrid poured her scorn into this undeniable pop banger - and unwittingly set the scene for the song at number eight.



8) Praying - Kesha

Kesha could have come back swinging - she'd spent years in legal limbo, fighting her boss and mentor Dr Luke, who she accused of psychological and sexual abuse. But her response was much more compassionate than anyone expected.

The star doesn't hide her anger ("we both know all the truth I could tell") but turns it into a plea for redemption. "I hope you find your peace, falling on your knees, praying," she sings. If only we could all be so forgiving.



7) Little Of Your Love - Haim

AKA the song that saved Haim's second album. As Este confessed earlier this year, "There was a time where I was like, 'OK, why is every song I’m writing sounding like the theme from ‘Jurassic Park’?'"

Little Of Your Love broke that curse. Commissioned for (but not used in) the Amy Schumer movie Trainwreck, it relieved Haim of the pressure of following up their first album, allowing them to write a joyous, freewheeling True Blue tribute that's become a highlight of their live set. It also has one of the best videos of the year, which you can see at the bottom of this post.



6) Mistakes - Tove Styrke
Tove Styrke released two absolute corkers this year: Say My Name and Mistakes are cunningly detailed songs, employing multiple vocal layers and pixel-perfect production to embellish Tove's seemingly straightforward pop melodies.

Mistakes is my favourite of the two, thanks to that slap-back snare drum and a delicious portamento in the vocoder refrain. But it would be remiss of me not to mention Say My Name's "wear it out like a sweater that you love" lyric.


5) Lust For Life - Lana Del Rey ft The Weeknd
"My boyfriend's back and he's cooler than ever". Lust For Life is Lana's most radio-friendly single since Summer Sadness, and one in which she invites The Weeknd through the airlock of her interplanetary spacecraft.

It's a curious duet. Despite the chorus's demand to "take off all your clothes" the singers perpetually circle one other - mesmerised, rather than ravenous. But there's something beguiling about their soft-focus sensuality that keeps me coming back for more.



4) Hard Times - Paramore

A fluorescent, upbeat pop song about plumbing the depths of depression. "All that I want / Is a hole in the ground," sings Hayley Williams. "You can tell me when it's alright /For me to come out."

The counterpoint is the point. Taylor York's triangular, new wave guitar hooks and Zac Farro's creative drum fills make the bleakness of Williams' lyrics all the more stark. Radiohead, take note.


3) Bellyache - Billie Eilish
The best debut of the year? 15-year-old Billie Eilish fantasises about killing all her friends and going on the run - only to get an ulcer from the guilt.

Reviews rightly focus on the lyrics, but the music is equally ambitious - switching from peppy acoustic balladry to the gut-churning bass drop of the chorus. Billie Eilish is going places in 2018, and not just to escape the law.


2) New Rules - Dua Lipa

How often does someone come up with a new lyrical conceit for a break-up song? Almost never, that's how often. But Dua Lipa found a new angle with her step-by-step guide to avoiding your ex - and it became her proper breakout hit.

New Rules was the first single to really capture the star's witty, approachable Twitter persona ("It's so cold outside my nipples could key a car rn") but it also benefitted from a super-smart video; which saw Dua being supported by her girlfriends as she struggled to stick to the four-point programme.

The video rightly became a viral success... and not just for its gif-tastic choreography and themes of female solidarity. Someone "in the know" told me the pastel palette was deliberately chosen to reflect the most popular colour schemes on Instagram. How 2017 can you get?


1) Bad Liar - Selena Gomez
The way it interpolates Talking Heads' Psycho Killer. The way the lyrics spill out like an infatuated teenager's love letter. The line "just like the Battle of Troy there's nothing subtle here." The nuance in Selena Gomez's delivery - alternately awe-struck and assertive. The way she tries to deny her feelings ("you're taking up a fraction of my mind"). The melody in the chorus. The counter-melody in the chorus. The line "every time I watch you, serpentine".

The whole damn thing is perfect. Perfect. Perfect. Perfect. Perfect.

FYI: The next 10 would have been:
11) St Vincent - Los Ageless
12) St Vincent - New York
13) The Killers - The Man
14) Kendrick Lamar - Humble
15) Laura Marling - Wild Fire
16) Tove Lo - Disco Tits
17) Dagny - Love You Like That
18) Foo Fighters - Sky Is A Neighbourhood
19) Camila Cabello - Havana
20) Rae Morris - Do It

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Billie Eilish is a girl on fire

If you haven't heard of 15-year-old pop prodigy Billie Eilish yet, you're missing out.

The LA native has lit up my "most played" list this year with a handful of smart, dark pop songs, in which she fantasises about things like killing her boyfriend and burning his car. You know, typical teenage stuff.

Her new single, Watch, came out last Friday and it's packed with more Melodrama than Lorde's entire album. "Go ahead and watch my heart burn," she trills, "with the fire that you started in me".

Listen below.


If you want to know more about Billie, here's some highlights from her first forays into the media.

Billie wrote her first song when she was four. It was about falling into a black hole [Interview]

Her neighbour asked her to star in his homemade horror movies when she was six, which isn't creepy at all. [Vice]

For the last eight years, she's been a member of the fancypants Los Angeles Children's Chorus. [Teen Vogue]

As well as singing, Billie is a trained dancer, who used to practice 11 hours a week until "my hip decided to explode" last year. [WFN Music]

But don't worry, she can still do this:

fuck outta here

A post shared by billie eilish (@wherearetheavocados) on Jul 18, 2016 at 5:24pm PDT

Billie writes all her songs with her older brother Finneas. "Him and I get along really well, so it's perfect," she says, before basically admitting no-one else will put up with her. "I'm a super-particular person and I always have to have stuff my way." [Triple J]

Her breakthrough song was the lullaby-like Ocean Eyes, which Finneas wrote for his band, but gave to Billie when she needed a piece for her dance class. "We put it on SoundCloud with a free download link next to it so my dance teacher could access it," she says. "We had no intentions for it, really. But basically overnight a ton of people started hearing it and sharing it." [Teen Vogue]

The song has now had 1.96m streams on Soundcloud, winning her a record deal with Interscope and a slot on the 13 Reasons Why soundtrack. [Soundcloud]

Her best song to date is Bellyache, which she describes as "a flat-out a song about murder". [Ladygunn]

It probably goes without saying, but you shouldn't take the lyrics literally. "You don’t have to kill people to write a song about killing people," says Billie. "I'm not going to kill people." [Billboard]

In fact, the song has a deeper meaning. "Like, if you do something to impress somebody else or because your parents want you to or because whatever, you’re going to end up alone one day... with a bellyache." [Ones To Watch]

Her favourite colour is yellow, as she will explain to you at length. "I think of myself as yellow because I think a lot of people used to maybe doubt yellow or not like it because it’s one of those colors that people just sort of hate. Nobody likes it and it’s such a good colour! I don’t even know how to describe it. I just feel like I am yellow. I do and say what I want and I don't really care if people like it or not. That makes me yellow." [Popcrush]

So there you go: That is Billie Eilish "in a nutshell", if the nutshell was about 600 words of text on a stunningly popular music blog.

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Kendrick, Calvin, Selena and the rest of #NewMusicFriday

Last week's New Music Friday was so underwhelming I didn't bother writing a post (memo to Zayn and Drake: stop mumbling). This week, however, things have turned around completely. There's stonking new tunes from Kendrick Lamar, Selena Gomez and Oh Wonder, to mention just a few. Scroll down for the best - and worst - of the week's new releases.

Kendrick Lamar - Humble
"Wicked or weakness, you gotta see this," raps Kendrick on this, the first proper single from his fourth album. He's not wrong.

The track, which attacks some of hip-hop's most tiresome tropes (bragging about money, improbably proportioned video girls) while asserting Kendrick's position as the best rapper in the game. "Sit down, bitch, be humble," he says, while sitting in Jesus' position at The Last Supper. Well, quite.




A Tribe Called Quest - Dis Generation
The best track on ATCQ's recent album (it samples Pass The Dutchie!!) gets a proper single release, with a gorgeous black-and-white video that shows Q-Tip, Jarobi and Busta Rhymes trading lines, and dancing whenever the voice of the late Phife Dawg pops up. Brilliant stuff.




Calvin Harris - Heatwave (ft Pharrell, Ariana Grande and Young Thug)
Less than the sum of its parts, this star-studded single feels a bit aimless - but the loping groove and Ariana's sugar-sweet B chorus provide enough highlights to keep your attention.




Bleachers - Don't Take The Money
Jack Antonoff helped Lorde put together her new album, and she's repaid the favour by co-writing this single for his band, Bleachers (she also sings backing vocals, deep, deep down in the mix). Radio 1 are going to be all over this one.




Selena Gomez - Only You
A hauntingly sombre cover of the Yazoo classic, taken from the soundtrack to the new Netflix series 13 Reasons Why. I like this a lot.




Kwaye - Cool Kids
I was amazed to discover this caramel-smooth soul jam emanated from London - but there it is, Kwaye is a 22-year-old, Zimbabwe-born, London-based singer-songwriter. His debut video is a celebration and declaration of diversity. Highly recommended.




British Sea Power - International Space Station
British Sea Power said their sixth album (out today) would be their most musically direct record - and they certainly keep that promise. International Space Station is my personal highlight, with a soaring chorus and what can only be described as an indie musician's version of a cheerleader chant in the middle 8.




Becky Hill - Rude Love
Written with MNEK, this is a distinctly odd and deliberately obtuse pop single. Naturally, it is quite excellent.




Oh Wonder - Ultralife
A welcome return for DIY alt-pop duo Josephine Vander Gucht and Anthony West. Their doubled-up vocals are instantly recognisable on this joyous, uplifting single. Not a massive progression from their debut, but just different enough to raise interest for the new album.




Alt-J - In Cold Blood
Intricate but accessible; awkward but danceable. Alt-J at their best. Will sound great in a field near you this summer.




Billie Eilish - Bored
Another scene-grabbing slice of pop melodrama from the precociously talented teenager. An ode to boredom that manages to be anything but.




Vanessa White - Running Wild
The former Saturday has had her attempts at launching a solo career frustrated by legal problems with her old management. But with those hurdles overcome, she's back with EP2 (three years after EP1), which further exemplifies her deft touch with a classic R&B harmony. Beguiling stuff.



Catherine McGrath - When I'm Older
Imagine if Natalie Imbruglia did a country makeover of Torn, and you have a good idea of how Catherine McGrath's new single sounds. The 19-year-old, who hails from the rural outskirts of Belfast (NB: All the outskirts of Belfast are rural), grew up surrounded by music - her parents run the Fiddler's Green Festival - and cites Ed Sheeran and Taylor Swift as her influences.

This song captures the joys of youth ("these are going to be the good old days some day"), with an earnest, uplifting acoustic strum. A total breath of fresh air.



Mary J Blige - Love Yourself (feat Kanye West)
After flirting with UK house on her last album, Mary J Blige's latest sees her retreating to safe ground. You've heard a hundred variations of this song before.





Cheat Codes - No Promises (feat Demi Lovato)
Totally generic Primark pop.



The Chainsmokers - The One
Not the one.

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Video: Billie Eilish - Bellyache

Billie Eilish is only 15 years old, but she's already a formidable talent. Just check out last year's debut single Ocean Eyes, an astonishingly assured piece of songwriting, in which she compares falling in love to plummeting off a cliff under "napalm skies".

Her new single, Bellyache, is even more striking. I'd call it a murder ballad, except it's not a ballad: It's a shadowy, brooding pop banger that fantasises about finishing off her lover and leaving his body to rot in the gutter. Less "psycho killer, q'uest que c'est", and more "Oui oui, je suis un psycho killer, et puis quoi?"

The video picks up after the gory bits, with Billie on the run from the law, dragging a trailer of her possessions behind her, and doing a victory dance in the desert like any normal murderer would.

But, as the singer told Vice, Bellyache is actually a song "about the concept of guilt.

"When you do things in the moment because you feel so strongly about them, in the end you're left with the decision you made.

"That line: 'I thought that I'd feel better, but now I gotta bellyache' is about how you kinda know that you're the worst but you don't care. It's about a psychopath who regrets being a psychopath but doesn't really care.

The song is pretty much perfect and the video is just as riveting. Billie Eilish is a star in the making.

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The best and worst of new music Friday: 24 February 2017

A vintage week if you like Coldplay and songs that go Wzrrp-worp. Not so much if you're into anything else at all. Sort it out, "the music industry".

Anyway, here's a rundown of the week's best new ones. And the Coldplay one, too.

1) Billie Eilish - Bellyache
Why put all the big artists at the top, when someone new could do with a leg up? California's Billie Eilish recently signed to Interscope, and has a great acousti-pop sound that'll appeal to fans of Ellie Goulding and Aurora.

She wrote her first song at the age of four, about falling into a black hole and being happy to be there. Her new single, Bellyache, finds her plotting revenge on her boyfriend for an undisclosed transgression. It's fair to say things don't go well for him: "Where's my mind? Maybe it's in the gutter, where I left my lover".





2) Calvin Harris ft Frank Ocean and Migos - Slide
Ladies and gentlemen, we are living in a post-chorus environment.





3) Zedd ft Alessia Cara - Stay
"Alessia and I first met at rehearsals for the HALO Awards, where Alessia, Daya and I performed together," writes Zedd. "I've loved her songs before but realised that she's an unbelievable talent when we started rehearsing together, so I asked her if she was interested in making music with me."

The answer was a resounding OF COURSE I DO and the result is the best of this week's onslaught of producer+vocalist collabs.




4) The Chainsmokers ft Coldplay - Something Just Like This
The title is clunky, the beats are generic, the melody is pedestrian. No-one is doing their best work here (except, perhaps, the team that animated the lyric video).




5) Lana Del Rey - Love
Already covered extensively on the blog, this is very much business as usual while managing to be one of Lana's strongest-ever singles.




6) Ed Sheeran ft Stormzy - Shape Of You
One of the highlights of Wednesday's Brit Awards, this collaboration got an official release today as part of a Ed Sheeran remix package. The guy has sold nearly 2 million singles over the last seven weeks. What does he think this is, 1994?




7) Thundercat ft Kendrick Lamar - Walk On By
Thundercat played bass on most of Kendrick Lamar's To Pimp A Butterfly album. Now the rapper repays the favour by adding a typically virtuoso verse to this melancholy R&B track. At the time of writing, its only got 2,000 views on YouTube. It deserves 100 times that.




8) The 1975 - By Your Side
A vocoderised cover of the Sade classic (Grammy-nominated for best vocal performance in 2002, but beaten by Nelly Furtado's I'm, Like, A Bird). Released in aid of War Child, this one of those rare charity singles that doesn't sound like it was knocked off in an afternoon.




9) Powers - Heavy
Powers are pop heavyweights Mike Del Rio and Crist Ru, whose credits include Kylie and Selena Gomez. They've just served up this calorific slice of pop that's equal parts Rocksteady-era No Doubt and Lady Gaga on a good day. Nice work.




2,000,002) Jason Derulo, Nicki Minaj and Ty Dolla Sign - Swalla
A song about cum.

Sorry about that last one, but I refuse to suffer alone. Sometimes I wonder what did we do to deserve Jason Derulo? Whatever it was, I'm sorry and we won't do it again.

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