Top 10 albums of 2018

Better late than never... These are the records that went on repeat at Discopop Towers^TM in 2017. Which was a week ago.

10) Muna - About U

When you're beaten and a friend unexpectedly comes to your defence. When you're silently hurting and someone notices. When you just need to be understood. That's what this album is, but songs.



9) Billie Eilish - Don't Smile At Me

Technically an EP, but longer than most Beatles' albums, so I'm allowing it.

Billie Eilish has a faultless ear for melody, a lean-closer voice and a bucketful of acidic lyrics. Everyone, including me, goes on about Bellyache, where she fantasises about killing her friends. But my favourite (because I actually lived it) is Party Favor, where she casually and callously dumps her boyfriend on his birthday. "I hate to do this to you on your birthday," she coos. "Happy birthday, by the way".


8) Wolf Alice - Visions Of A Life

Good luck summing this one up. Ellie, Theo, Joff and Joel sound like they've raided the musical pick'n'mix counter, grabbing handfuls of grunge and dream-pop and punk shoegaze and anything else that takes their fancy - Ellie even borrows Neil Tenant's deadpan vocal "stylings" on Sky Musings. But somehow it works. You can holler along to Beautifully Unconventional, you can spit at Yuk Foo, you can swoon to Don't Delete The Kisses.

"I think hummus is quite a good analogy for our album," Ellie told me in September. "You get all these different varieties but at the end of the day they're all hummus."

Told you it was impossible to sum up.


7) Kendrick Lamar - Damn

The fire, the fury, the blood, the piss, the faith, the doubt, the humility, the false humility, the Rihanna duet, the breezy, casual competence of it all. At this point, he's basically showing off.



6) Paramore - After Laughter

Paramore's technicolor fifth album completes their transformation into pin-sharp pop stars - but not, like, Katy Perry or anything. ("I can't imagine getting up there and playing a Max Martin song – at that point we might as well just stop," guitarist Taylor York told The New York Times in April).

Instead, they take their cues from the angular elbows and polyrhythms of Talking Heads and Cyndi Lauper, while Hayley Williams picks at the scabs of her depression in a procession of unflinchingly stark lyrics.

My favourite track is Rose Colored Boy - where she rages against an irritatingly glass-half-full acquaintance. "And oh, I'm so annoyed," she hisses, "'Cause I just killed off what was left of the optimist in me". Sad-dancing hasn't been this good since Robyn last released an album.



5) Lorde - Melodrama

Too clever for its own good, Lorde's second album suffers from a surfeit of ideas. When they work (the conspiratorial tongue click on Perfect Places, the submerged vocal samples of Sober) it's glorious. But other tracks threaten to collapse under the weight of their ambition. It's telling that the standout moments are the simplest: Liability and Writer In The Dark.

But you can't argue with Ella Yelich-O'Connor's facility with melody, nor her gothic, awkward, evocative lyrics - somehow cool in their lack of coolness.

"We're the greatest/ They'll hang us in the Louvre / Down the back... but who cares? Still the Louvre" is a stand-out, but my absolute favourite is "I'm closing my teeth around this liquor-wet lime".

A flawed masterpiece.



4) Dua Lipa - Dua Lipa

Was it groundbreaking? No.
Did it rewrite pop history? No.
Was it an unimpeachable collection of pop songs? Yes.

New Rules was the standout, naturally, but you get six other singles for your money, from the self-descriptive Hotter Than Hell to the ridiculously danceable Blow Your Mind (Mwah). And check out Dua's sultry, husky vocals on Thinking 'Bout You for proof that she's set to be the UK's finest pop star.


3) St Vincent - Masseduction

All seedy glamour, giddy highs and unsettling lows, St Vincent's fifth album is as sticky and messy as real life gets.

Over crunching programmed beats, her stories invariably deal with loss of control ("I cannot stop the airplane from crashing," she sings on the title track), with references to mood-stabilising drugs, and a soul-crushing break-up ("how can anyone have you and lose you and not lose their mind, too?" - Los Ageless).

Annie Clark's most personal album to date, it's also her most pop-fuelled. She's ably assisted in this by Jack Antonoff, who also produced Lorde and Taylor Swift's latest albums, but never surrenders her wit, her inventiveness or her fury.


2) Kesha - Rainbow

When life gives you lemons, make a defiantly bonkers hillbilly pop record.

Kesha may not have won her freedom from Dr Luke, the producer and label boss she accuses of drugging and sexually abusing her (claims he denies) but she was finally free to make the music she wanted.

Out go the vocoders and retrospectively creepy lyrics about being drunk and out of control. In come throat-shredding vocals and revelatory songs about resilience, compassion, independence and, er... dating Godzilla.

The back story makes it compelling, but it's the songs that keep you coming back.

1) Laura Marling - Semper Femina

Acres of newsprint were wasted discussing how Laura Marling wrote about femininity from a male perspective. For a start, she abandoned that conceit half-way through (although the record is broadly about female archetypes, from the wild child to the artist's muse). But worse than that, it steers your attention away from the mesmerising beauty of these songs.

The album opens with Soothing, whose prowling, sensuous bassline suggests all kinds of sex, until Marling kicks her lover out: "I banish you with love". On Wild Fire, she channels Lou Reed, while shaming a plonker who tells her "you're at your most beautiful when you don't know you're being watched". "Maybe someday when God takes me away," she drawls. "I'll understand what the fuck that means."

Musically, she's never sounded more relaxed. Under the watchful guidance of Blake Mills (Alabama Shakes, Fiona Apple) she lets in all sorts of new musical textures - backmasked vocals, sweeping strings, even a guitar solo - that add to the dramatic acuity of her lyrics.

Beguiling and brilliant, it's the best album of her career.

Here's a playlist of tracks from the Top 10 albums. You can see numbers 11 to 20 below.

FYI: The next 10:
11) SZA - CTRL
12) Taylor Swift - Reputation
13) Lana Del Rey - Lust For Life
14) Stormzy - Gang Signs & Prayer
15) J Hus - Common Sense
16) Haim - Something To Tell you
17) Niia - I
18) Feist - Pleasure
19) Jessie Ware - Glass House
20) Jay-Z - 4:44

Tweet

Top 10 singles of 2017

So it's been... er, five long months since I last updated the blog. But I couldn't resist compiling my Top 10 singles of the year.

This year's list is extremely pop heavy, even for me, but the choices are determined by my iTunes play counts, which means they represent the songs I actually listened to over the last 12 months.

So here we go... in reverse order, with a playlist of the videos at the bottom of the post.


10) Lorde - Green Light

Max Martin called Lorde's comeback single "incorrect songwriting" but to my mind, that's a compliment. Green Light's awkward lurch from verse to pre-chorus encapsulates everything that's brilliant about Lorde - a pop star who's not afraid to embrace her weirdness (cf her performance at this year's MTV Awards).

Green Light isn't the best song on Melodrama, but there's something graceful about its clumsiness that kept me coming back for more.



9) Don't Kill My Vibe - Sigrid

Rae Morris made it into my Top 20 with the sublime Do It, a song about falling in love with her producer. Don't Kill My Vibe tells the opposite story - of how pop-star-in-waiting Sigrid Raabe was patronised and demoralised by an obnoxious studio boffin. Working with more sympathetic collaborators, Sigrid poured her scorn into this undeniable pop banger - and unwittingly set the scene for the song at number eight.



8) Praying - Kesha

Kesha could have come back swinging - she'd spent years in legal limbo, fighting her boss and mentor Dr Luke, who she accused of psychological and sexual abuse. But her response was much more compassionate than anyone expected.

The star doesn't hide her anger ("we both know all the truth I could tell") but turns it into a plea for redemption. "I hope you find your peace, falling on your knees, praying," she sings. If only we could all be so forgiving.



7) Little Of Your Love - Haim

AKA the song that saved Haim's second album. As Este confessed earlier this year, "There was a time where I was like, 'OK, why is every song I’m writing sounding like the theme from ‘Jurassic Park’?'"

Little Of Your Love broke that curse. Commissioned for (but not used in) the Amy Schumer movie Trainwreck, it relieved Haim of the pressure of following up their first album, allowing them to write a joyous, freewheeling True Blue tribute that's become a highlight of their live set. It also has one of the best videos of the year, which you can see at the bottom of this post.



6) Mistakes - Tove Styrke
Tove Styrke released two absolute corkers this year: Say My Name and Mistakes are cunningly detailed songs, employing multiple vocal layers and pixel-perfect production to embellish Tove's seemingly straightforward pop melodies.

Mistakes is my favourite of the two, thanks to that slap-back snare drum and a delicious portamento in the vocoder refrain. But it would be remiss of me not to mention Say My Name's "wear it out like a sweater that you love" lyric.


5) Lust For Life - Lana Del Rey ft The Weeknd
"My boyfriend's back and he's cooler than ever". Lust For Life is Lana's most radio-friendly single since Summer Sadness, and one in which she invites The Weeknd through the airlock of her interplanetary spacecraft.

It's a curious duet. Despite the chorus's demand to "take off all your clothes" the singers perpetually circle one other - mesmerised, rather than ravenous. But there's something beguiling about their soft-focus sensuality that keeps me coming back for more.



4) Hard Times - Paramore

A fluorescent, upbeat pop song about plumbing the depths of depression. "All that I want / Is a hole in the ground," sings Hayley Williams. "You can tell me when it's alright /For me to come out."

The counterpoint is the point. Taylor York's triangular, new wave guitar hooks and Zac Farro's creative drum fills make the bleakness of Williams' lyrics all the more stark. Radiohead, take note.


3) Bellyache - Billie Eilish
The best debut of the year? 15-year-old Billie Eilish fantasises about killing all her friends and going on the run - only to get an ulcer from the guilt.

Reviews rightly focus on the lyrics, but the music is equally ambitious - switching from peppy acoustic balladry to the gut-churning bass drop of the chorus. Billie Eilish is going places in 2018, and not just to escape the law.


2) New Rules - Dua Lipa

How often does someone come up with a new lyrical conceit for a break-up song? Almost never, that's how often. But Dua Lipa found a new angle with her step-by-step guide to avoiding your ex - and it became her proper breakout hit.

New Rules was the first single to really capture the star's witty, approachable Twitter persona ("It's so cold outside my nipples could key a car rn") but it also benefitted from a super-smart video; which saw Dua being supported by her girlfriends as she struggled to stick to the four-point programme.

The video rightly became a viral success... and not just for its gif-tastic choreography and themes of female solidarity. Someone "in the know" told me the pastel palette was deliberately chosen to reflect the most popular colour schemes on Instagram. How 2017 can you get?


1) Bad Liar - Selena Gomez
The way it interpolates Talking Heads' Psycho Killer. The way the lyrics spill out like an infatuated teenager's love letter. The line "just like the Battle of Troy there's nothing subtle here." The nuance in Selena Gomez's delivery - alternately awe-struck and assertive. The way she tries to deny her feelings ("you're taking up a fraction of my mind"). The melody in the chorus. The counter-melody in the chorus. The line "every time I watch you, serpentine".

The whole damn thing is perfect. Perfect. Perfect. Perfect. Perfect.

FYI: The next 10 would have been:
11) St Vincent - Los Ageless
12) St Vincent - New York
13) The Killers - The Man
14) Kendrick Lamar - Humble
15) Laura Marling - Wild Fire
16) Tove Lo - Disco Tits
17) Dagny - Love You Like That
18) Foo Fighters - Sky Is A Neighbourhood
19) Camila Cabello - Havana
20) Rae Morris - Do It

Tweet

Video: Paramore - Told You So

Paramore's new album After Laughter - announced out of the blue a fortnight ago - is shaping up to be a cracker. Lead single Hard Times is the best pop song about utter misery since Dancing On My Own (the original, obvs), zigging and zagging all over the chart with its new wavey guitar riffs and staccato vocal chops.

The latest single, Told You So, picks up where that left off. OK, the chorus might not be as ridden with earworms but it's a solid B+.

It premiered earlier today on Beats 1, where lead singer Hayley Williams explained it had been a tricky song to write.

"That was one of the first pieces of music that Taylor [York - guitarist] sent me," she told Zane Lowe.

"I had a little thumb-drive, and I would just drive around listening to it, and especially back and forth from Taylor's house. And I would sing little rhythmic things to myself. They didn't make sense. There were no words. But this is one that really intimidated me because I was like, 'I have all these melody ideas because there's no so much melody going on and so much rhythm going on. It's so inspiring. But how am I going to fit what I feel into that?' It took a minute."

The video - which is a huge dollop of fun - was directed by drummer Zac Farro, basing it on the car journeys the band took to and from recording sessions last year.

"Zac noticed that my anxiety and overall state was just a lot more peaceful on those drives," Hayley Williams told The FADER, "and mentioned to me that it made him happy to see me rest for a moment. It means a lot that they conceptualised a video around a passing moment we had as friends."

Awwwww.

Tweet

Three weeks off - what did I miss?

Huge apaologies for the (latest) break in blog posts. It was a double whammy of work deadlines leading into a family holiday. But I'm back once again like the "renegade master" ("tired father of two"). And here's a round-up of what I listened to in the break.

Paramore - Hard Times
Paramore have really been through the wringer - with an ever-changing line-up and all sorts of legal demands from former members. It got so bad they nearly packed it all in: "Two years ago I asked Taylor (York, guitarist) if we could start a new band," Hayley Williams told The Guardian. "I was so sick of this crap. I said we should just try something new, give it a new name."

But, as she's done many times before, Williams clung on and turned the bad times into a rollicking radio hit. The aptly-named Hard Times takes its cues from Talking Heads and Blondie, all clipped guitar lines and arch vocal stylings. It is an utter triumph.





Lana Del Rey ft The Weekend - Lust For Life
Of course, in Lana Del Rey's world, "lust for life" translates as "drifting woozily over a moonlit graveyard" but what a song. What. A. Song.





Katy Perry - Bon Appetit
Plans for Katy Perry's political album have been shelved in favour of this ode to oral sex.






Kendrick Lamar - DNA
Kendrick's new album, DAMN FULL STOP, doesn't move me in quite the same way as To Pimp A Butterfly - its lyrical and musical introspection makes it a much tougher listen. But DNA is a standout, with Mike Will Made-It's starkly simplistic beats focusing your attention on Kendrick's densely-layered lyrics.

The video, in which he takes possession of Don Cheadle's body, is also worth watching.





Goldfrapp - Systemagic
The lyrics are some old bollocks about the moon - but the song is vintage Goldfrapp, with Alison's ethereal vocals the chocolate sprinkles on Will Gregory's synth cappuccino. (Sorry, I'm all out of metaphors).





Ardyn - Together
Ardyn are twin brother and sister Rob and Katy Pearson, who hail from Gloucestershire. Their new single was written in a caravan on a keyboard purchased from Lidl; and it's messy tangle of strummed guitar and dark-pop harmonies is an absolute delight.





Haim - Right Now
Haim's comeback song is very emphatically not a single (that comes next week, fact fans), which is a relief as Right Now feels very much like track nine on a 10-track album. Great video, though.






Tove Styrke - Say My Name
Tove Styrke's second album, Kiddo, was my favourite record of 2015 - and now she's back, with a typically quirky take on Swedish pop. Her girl power lyrics have transmuted into something altogether more sex-obsessed, but her wayward lyrics are still superb: "Say my name - wear it out like a sweater."





Dua Lipa ft Miguel - Lost In Your Light
A steamy banger, in which Dua and Miguel tussle over lyrics like "let me ride in your love all night". Phwoar.




Harry Styles - Sign Of The Times
According to Cameron Crowe's Rolling Stone profile of Sir Harry Stylesworth, this song is written from the perspective of a mother who, while in labour, is told she will die if her baby is to survive, which is quite a thematic departure from, say, Best Song Ever.

I'm still ambivalent about the song. Depending on my mood, it's either a brave attempt to write a power ballad that mixes the best bits of Life On Mars and Purple Rain, or a Stereophonics cast-off that outstays its welcome.




Royal Blood - Lights Out
This is going to KICK OFF at the Pyramid Stage come June.




Kygo ft Ellie Goulding - First Time
Yet another midtempo EDM song that wimps out at the chorus. Note to producers: A squiggly synth line is no substitute for a melody, and we're onto your trick now.




Ride - All I Want
I wasn't expecting much from the Ride reunion. The Stone Roses aside, I was never that keen on shoegaze indie; and Andy Bell's stint in Beady Eye didn't exactly set the world alight. But this is, somehow, rather brilliant.




Ibibio Sound Machine - The Chant
Fronted by London-born Nigerian singer Eno Williams, Ibibio Sound Machine smash together West African funk and British electro-pop in a way that will make your jelly shake right off its plate. The Chant has just been added to the 6 Music playlist, and rightly so.



DNCE ft Nicki Minaj - Kissing Strangers
Ridiculous. Good. But not ridiculously good.

Tweet

A*M*E follows up 100% and five other songs you may have missed

Good afternoon, Friday. Here's this week's round-up of songs you may have missed. Think of it as a tiny weekend playlist, or a brief radio programme with a skip button. Enjoy!

1) A*M*E - Heartless / 100% Skreamix
18-year-old pop princess Aminata Kabba, otherwise known as A*M*E, is currently at number one with Need U (100%) - and deservedly so. Her next solo single is called Heartless, and although the final radio mix has yet to be officially revealed, it doesn't really sound any different to the demo which has been circulating for a while. Think David Guetta and Sia covering Nicki Minaj's Starships and you get the idea. Something's missing right at the end - the climax doesn't quite... well, climax - but it's a decent summer singalong.



Meanwhile, if you haven't already bought 100%, you absolutely have to check out this 80s-tastic remix, which could be mistaken for a lost Control-era Janet Jackson track. It is seriously that good.





2) Thunderbird Gerard - Trouble
Gerard wasn't one of the better-known Thunderbirds. He mostly did the admin on Tracy Island - making sure they didn't run out of staples and teabags. But he's also an up-and-coming US rap artist, based in Berlin, who's been dubbed "the Kerouac of Hip-Hop" (because he's On The Road a lot - groan). "Interesting" naming conventions aside, his latest single Trouble is superb: A lolloping, irresistible piano groove, that's refreshingly low on bombast.




3) Rdgrngld - Million Fans
That's pronounced Red, Green, Gold. Another band harking back to the days of old-skool hip-hop, this makes me want to dig out all my old Jurassic Five albums and have a block party. The band hail from Washington DC, and they managed to get Dave Grohl to play all the drum loops on their debut album... But not this track, which uses an authentically dusty breakbeat sample. One to watch at this summer's festivals.




4) Paramore - Still Into You
"Interesting" fact: I can totally ace Paramore's Misery Business on Guitar Hero. Five stars every time, even on expert level wearing a blindfold, after half a bottle of port, with all my finger glued together so I have to play the notes with my eyelashes. I'll prove it to you one day.

Will I ever be as good at their new single Still Into You? Who knows, but one can live in hope. Hayley told the BBC the song was "a big love anthem". I say it's a bubbly punk-pop track that wouldn't sound out of place at the end of a pre-rehab Lindsay Lohan film. The video, by the way, is inspired by the fantastical technicolor photographs of British artist Tim Walker. You can read more about those on the New Yorker site.




5) The National - Don't Swallow The Cap
What exactly do you want from The National? Swirling atmospherics? Swelling strings? Heart-tugging vocals? An overwhelming sense of loneliness and anxiety? Then you're in luck! Don't Swallow The Cap, the second song to be released from their eagerly-anticipated new album Trouble Will Find Me. It's one of those songs that's totally miserable, but whose inherent beauty ends up making you feel at peace with the world. Lovely stuff.




6) CHVRCHES - Game Of Thrones
"Should we cover the Game of Thrones theme song?" asked CHVRCHES on their Twitter feed last Sunday. "I kinda feel like we should. I might be on my own here tho". Less than 24 hours later, this appeared on YouTube. I love how Lauren starts singing along 30" into the song - and how their arrangement basically turns the song into the theme from Knightmare.

Tweet

Paramore play songs for you

Tennessean teen-rockers Paramore are finally getting round to releasing their US hit single Misery Business in the UK - only eight months after it first hit the US charts.

As I mentioned back in July, it sounds a bit like Avril Lavigne, and the band have been known to attend Sunday mass.

They appeared in Jo Whiley's "live lounge" last Friday and did some acoustic warbling. Here are the results.

:: Paramore - Misery Business live [mp3 via Sharebee]
:: Paramore - Love's Not A Competition (Kaiser Chiefs cover) [mp3 via Sharebee]

Tweet

This isn't Avril Lavigne's new single...

...but it might as well be.



The band is called Paramore, and they're from a place called Franklin in Temmessee. Apparently, they're not just an attempt to cash in on the radio-friendly teen-punk market and are serious musicians with a credible sound.

Everything I've read about them mentions that they're Christian. This has no impact on their music, but people seem to think its novel - despite the fact it's a massive religion with roughly 2.1bn followers worldwide. It's like pointing out the band have eaten a Big Mac, or own a television.

The lead singer is 18-year-old Hayley Williams, who is possessed with a powerful set of pipes, as well as a rather striking singing voice. Apparently, the song is based on a true story about a girl who used "sex to manipulate one of my friends, in particular, to the point that none of us - in our little circle of friends - recognized him." She doesn't mention if this guy turned into a honking great purple dragon who ate kittens and could shoot toothpaste out his nostrils, but that seems to be the jist. (Are you sure about this? - Ed)

Anyway, the band's second album, Riot, is meant to be good if you like that sort of thing. I'm holding back judgement until I hear a few more tracks, but I thought I'd share.

Tweet