Songs you may have missed: The comeback edition

Woah - where did the last three weeks go?

Well, mostly I was in bed fighting off an horrific viral infection. Then it was the Brits (Adele won a few, you may have heard) and now I finally have some time to write my poor old neglected blog.

To make up for lost time, here's a mega "songs you may have missed" post, with six word synopses for every song. Buckle up and get ready.

1) Beyonce - Formation
Impressive visuals. Impressive lyrics. Underwhelming song.




2) Lorde - Life On Mars
Dignified and understated. A perfect tribute.





3) Rihanna ft Drake - Work
Rihanna's BOGOF offer. Warning: contains nipple.





4) Tinie Tempah - Girls Like (ft Zara Larsson)
"Tell JK that I'm still Rowling."




5) Dua Lipa - Last Dance
Is Dua Lipa Kosovan for "two lips"?




6) All Saints - One Strike
A genuinely perfect comeback single: 9/10





7) Pet Shop Boys - The Pop Kids
Nostalgia never sounded more contemporary.




8) Halsey - Colors
Stay tuned for the shock twist.





9) The 1975 - The Sound
Desperate, shallow, cringeworthy. Trying too hard.






10) Lissie - I Will Always Love You
Stop you in your tracks amazing.




11) Little May - Remind Me
Melodic indie direct from Sydney, Australia.




12) Little Mix - Black Magic (Brits performance)
They deserved to win best single.




13) Katy B, Craig David, Major Lazer - Who Am I
A ballad. A big, ballbusting ballad.




14) FKA Twigs - Good To Love
Rick-Nowels co-write. Possible breakthrough single?



15) Usher - Chains (ft Nas and Bibi Bourelly)
Unflinching, powerful call for police reform.





16) Charli XCX - Vroom Vroom EP
Harder, darker, dirtier. Welcome back, XCX.





17) Jake Bugg - On My One
Scratchy bluegrass from, er, Nottingham.





18) Icona Pop - I Want Someone Who Can Dance
"Not someone I can talk to."

Phew. Well done if you made it this far. And do let me know if there's anything I missed.

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Songs you may have missed: Songs I may have missed edition

Oh lordy. Two weeks off and so much good music to catch up with. Here are some of the highlights, accompanied by a desultory 5-word review.

1) Lana Del Rey - High By The Beach
The template has been refined.




2) Chvrches - Leave A Trace
The creation of a star.




3) Hailee Steinfield - Love Myself
Amazing songs deserve better visuals.





4) Disclosure ft Kwabs - Willing & Able
One to sink into deeply.





5) Dmitri Vegas & Like Mike ft Ne-Yo - Higher Place
Luscious, lilting late night anthem.





6) Calvin Harris & Disciples - How Deep Is Your Love
Generic dance music video ahoy.




7) Duran Duran - You Kill Me
Spot the clunky Bowie reference




8) Krept & Konan - So Long
Samples SWV's Rain. Is good.






9) Robin Thicke - Back Together (ft Nicki Minaj)
He's still going? Sadly, yes.




10) FKA Twigs - In Time
Uncompromising but compelling but bonkers.





11) Odesza - Light (ft Little Dragon)
Wispy, hypnotic and bloody brilliant.





12) Little Mix - Black Magic (live on the Late Show)
Bring back TOTP. Tomorrow, preferably.




13) The Dead Weather - I Feel Love (Every Million Miles)
Potential new TOTP theme song.

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It seemed like a good idea at the time pt 365

And the 2015 award for self-inflicted torture in the name of art goes to FKA Twigs, who spends most of her new video trussed up in ropes.

Presumably, it's a physical manifestation of the song's lyrics, where Twigs plays a woman trapped in a web of her own making, obsessing over a man who "only want(s) me in other spaces". The backing sounds like a close-up, slowed-down recording of a spider spinning silk, which only adds to the video's sinister aesthetic.

Oh, and if you're thinking "yeah, but everything's CGI nowadays", take a look the rope marks in this freeze frame.

Gruesome - but as The Verge points out:

"FKA Twigs began her career as a dancer, and her physical work and visuals frequently trend towards dark, sensual material that challenges perceptions of dominance. Her video for Papi Pacify, off 2013's EP2, featured Twigs wrapped in a man's embrace, unable to move, while his hands pried open her mouth. Her recent visual for Video Girl had her dancing seductively around a man about to be executed. Barnett doesn't seem to be interested in moving towards a feel-good aesthetic."

FKA Twigs plays the Brits launch party tomorrow night. I imagine ITV are crapping themselves right now.

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Nicki Minaj erased from history and 10 other songs you may have missed

A semi-regular round-up of songs that slipped through the cracks. The late September collection sounds a lot like this.

1) Jessie J and Ariana Grande - Bang Bang
Amazingly, there are still radio stations that won't play pop songs with a rap breakdown in case it "alienates" their listeners. Never mind that Jay-Z is 44, and Grandmaster Flash is pushing 60 - apparently there are people who cannot comprehend a musical genre that originated five decades ago. It's like a 1970s radio station refusing to play Born To Run because the saxophone solo might remind people of the jazz era.

It doesn't help that the record labels pander to this nonsense, which is why a Nicki Minaj-free version of Bang Bang exists, despite her verse being the only respite from three minutes of sub-Aguilera screeching.






2) Queen + Michael Jackson - There Must Be More To Life Than This
Started in 1981, finished a couple of weeks ago, this track will feature on the upcoming compilation Queen Forever.

Queen's sessions with Jackson allegedly faltered when the King of Pop objected to Freddie Mercury inhaling vast amounts of cocaine in his living room. On the basis of this track, it does sound like Jackson was a little overwhelmed by the moustachioed rock legend, with his fragile, quivering vocals no match for Mercury's bravura performance.

A Jackson-free version of There Must Be More To Life Than This surfaced on Mercury's 1985 solo album Mr Bad Guy. This re-dub has been produced by William Orbit who adds strings, guitars and a bombastic coda that recalls The Beatles' Hello Goodbye.






3) Brika - Options
"Sometimes love isn't enough to stop trains and planes like in the cinemas".

This stripped-back, tabla-powered song is pop at it's most elegant and groovesome. I love it to bits.






4) Hozier - Do I Wanna Know (Live Lounge cover)
A real stand-out moment from Radio One's More Music Month, transforming Arctic Monkeys' rollicking rock stomper into a lachrymose lament. Soul-stirring.





5) Mary J Blige - Whole Damn Year
The second track to emerge from Mary J's London Sessions album is an Emeli Sande / Naughty Boy collaboration, and sounds almost exactly like you'd expect - a break-up ballad in the classic soul template, with a killer vocal and an sucker-punch lyric.

"It took a whole damn year to repair my body," groans Mary J Blige. Ouch.






6) Hugh - One Of These DaysA lolloping, laid-back, smooth-as-peanut-butter groove from London newcomers Hugh.

Apart from being impossible to Google, the four-piece take pride in their melting pot of influences - Soul II Soul, Grizzly Bear, Beach House, Young Disciples. You can hear them all in this track, the opening number from their forthcoming EP.





7) Prides - Out Of The Blue
Hardcore synths, pop melodies and a vowel-chewing Scottish accent? No, it's not Chvrches, but hotly-tipped newcomers Prides. You may have seen them at the closing ceremony of the Commonwealth Games while you were waiting for Kylie. They were impressive then and they're impressive now - with the 18-months-in-the-making video for Out Of The Blue, one of the tracks that got them noticed last year.




8) The Knocks - Classic (feat. Powers)
The Knocks are great. Powers are great. Together they are classic (do you see what I did there?)

The video, for reasons that are never explained, is a tribute to Machiavellian time-sink computer game The Sims.




9) Jessie Ware - Kind Of, Sometimes, Maybe
I'll be honest. I haven't listened to this, in the hope that there'll be a few surprises on Jessie Ware's album when it finally comes out next month.

But if you're the impatient sort, this Miguel-assisted duet is bound to be a beauty.





10) FKA Twigs - Two Weeks (Live on Later)
FKA Twigs delivered a brilliant, blistering rant about being labelled "alt R&B" in The Guardian last month.

"When I first released music and no one knew what I looked like, I would read comments like: 'I've never heard anything like this before, it's not in a genre,'" said Tahliah Barnett. "And then my picture came out six months later, now she's an R&B singer. I share certain sonic threads with classical music; my song Preface is like a hymn. So let's talk about that. If I was white and blonde and said I went to church all the time, you'd be talking about the 'choral aspect'. But you're not talking about that because I'm a mixed-race girl from south London."

It's an excellent point. This sounds nothing like R&B. It sounds like the future. And, now that she's been on Jools, I finally know how to dance to it.





11) Breach - The Key (ft Kelis)
Speaking of mis-labelling, Kelis's new album, Food, has been labelled "Alt R&B" - I think on the basis it was produced by a white man from an indie band. Rubbish - it's classic soul with a modern twist, and one of my favourite records of the year so far.

The Key began life as a reworking of Rumble, one of the first singles from the album. But Kelis liked it so much, she jumped into the studio with Breach (aka Ben Westbeech) and re-recorded the vocals. It takes me back to the singer's ahead-of-its-time dance album Fleshtone. In other words, it is excellent.

And that's all for this week. Thanks for tuning in!

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