Top 10 albums of 2018

Better late than never... These are the records that went on repeat at Discopop Towers^TM in 2017. Which was a week ago.

10) Muna - About U

When you're beaten and a friend unexpectedly comes to your defence. When you're silently hurting and someone notices. When you just need to be understood. That's what this album is, but songs.



9) Billie Eilish - Don't Smile At Me

Technically an EP, but longer than most Beatles' albums, so I'm allowing it.

Billie Eilish has a faultless ear for melody, a lean-closer voice and a bucketful of acidic lyrics. Everyone, including me, goes on about Bellyache, where she fantasises about killing her friends. But my favourite (because I actually lived it) is Party Favor, where she casually and callously dumps her boyfriend on his birthday. "I hate to do this to you on your birthday," she coos. "Happy birthday, by the way".


8) Wolf Alice - Visions Of A Life

Good luck summing this one up. Ellie, Theo, Joff and Joel sound like they've raided the musical pick'n'mix counter, grabbing handfuls of grunge and dream-pop and punk shoegaze and anything else that takes their fancy - Ellie even borrows Neil Tenant's deadpan vocal "stylings" on Sky Musings. But somehow it works. You can holler along to Beautifully Unconventional, you can spit at Yuk Foo, you can swoon to Don't Delete The Kisses.

"I think hummus is quite a good analogy for our album," Ellie told me in September. "You get all these different varieties but at the end of the day they're all hummus."

Told you it was impossible to sum up.


7) Kendrick Lamar - Damn

The fire, the fury, the blood, the piss, the faith, the doubt, the humility, the false humility, the Rihanna duet, the breezy, casual competence of it all. At this point, he's basically showing off.



6) Paramore - After Laughter

Paramore's technicolor fifth album completes their transformation into pin-sharp pop stars - but not, like, Katy Perry or anything. ("I can't imagine getting up there and playing a Max Martin song – at that point we might as well just stop," guitarist Taylor York told The New York Times in April).

Instead, they take their cues from the angular elbows and polyrhythms of Talking Heads and Cyndi Lauper, while Hayley Williams picks at the scabs of her depression in a procession of unflinchingly stark lyrics.

My favourite track is Rose Colored Boy - where she rages against an irritatingly glass-half-full acquaintance. "And oh, I'm so annoyed," she hisses, "'Cause I just killed off what was left of the optimist in me". Sad-dancing hasn't been this good since Robyn last released an album.



5) Lorde - Melodrama

Too clever for its own good, Lorde's second album suffers from a surfeit of ideas. When they work (the conspiratorial tongue click on Perfect Places, the submerged vocal samples of Sober) it's glorious. But other tracks threaten to collapse under the weight of their ambition. It's telling that the standout moments are the simplest: Liability and Writer In The Dark.

But you can't argue with Ella Yelich-O'Connor's facility with melody, nor her gothic, awkward, evocative lyrics - somehow cool in their lack of coolness.

"We're the greatest/ They'll hang us in the Louvre / Down the back... but who cares? Still the Louvre" is a stand-out, but my absolute favourite is "I'm closing my teeth around this liquor-wet lime".

A flawed masterpiece.



4) Dua Lipa - Dua Lipa

Was it groundbreaking? No.
Did it rewrite pop history? No.
Was it an unimpeachable collection of pop songs? Yes.

New Rules was the standout, naturally, but you get six other singles for your money, from the self-descriptive Hotter Than Hell to the ridiculously danceable Blow Your Mind (Mwah). And check out Dua's sultry, husky vocals on Thinking 'Bout You for proof that she's set to be the UK's finest pop star.


3) St Vincent - Masseduction

All seedy glamour, giddy highs and unsettling lows, St Vincent's fifth album is as sticky and messy as real life gets.

Over crunching programmed beats, her stories invariably deal with loss of control ("I cannot stop the airplane from crashing," she sings on the title track), with references to mood-stabilising drugs, and a soul-crushing break-up ("how can anyone have you and lose you and not lose their mind, too?" - Los Ageless).

Annie Clark's most personal album to date, it's also her most pop-fuelled. She's ably assisted in this by Jack Antonoff, who also produced Lorde and Taylor Swift's latest albums, but never surrenders her wit, her inventiveness or her fury.


2) Kesha - Rainbow

When life gives you lemons, make a defiantly bonkers hillbilly pop record.

Kesha may not have won her freedom from Dr Luke, the producer and label boss she accuses of drugging and sexually abusing her (claims he denies) but she was finally free to make the music she wanted.

Out go the vocoders and retrospectively creepy lyrics about being drunk and out of control. In come throat-shredding vocals and revelatory songs about resilience, compassion, independence and, er... dating Godzilla.

The back story makes it compelling, but it's the songs that keep you coming back.

1) Laura Marling - Semper Femina

Acres of newsprint were wasted discussing how Laura Marling wrote about femininity from a male perspective. For a start, she abandoned that conceit half-way through (although the record is broadly about female archetypes, from the wild child to the artist's muse). But worse than that, it steers your attention away from the mesmerising beauty of these songs.

The album opens with Soothing, whose prowling, sensuous bassline suggests all kinds of sex, until Marling kicks her lover out: "I banish you with love". On Wild Fire, she channels Lou Reed, while shaming a plonker who tells her "you're at your most beautiful when you don't know you're being watched". "Maybe someday when God takes me away," she drawls. "I'll understand what the fuck that means."

Musically, she's never sounded more relaxed. Under the watchful guidance of Blake Mills (Alabama Shakes, Fiona Apple) she lets in all sorts of new musical textures - backmasked vocals, sweeping strings, even a guitar solo - that add to the dramatic acuity of her lyrics.

Beguiling and brilliant, it's the best album of her career.

Here's a playlist of tracks from the Top 10 albums. You can see numbers 11 to 20 below.

FYI: The next 10:
11) SZA - CTRL
12) Taylor Swift - Reputation
13) Lana Del Rey - Lust For Life
14) Stormzy - Gang Signs & Prayer
15) J Hus - Common Sense
16) Haim - Something To Tell you
17) Niia - I
18) Feist - Pleasure
19) Jessie Ware - Glass House
20) Jay-Z - 4:44

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Wolf Alice get gorgeous on Don't Delete The Kisses

After the incendiary, in-your-face comeback single Yuk Foo, Wolf Alice have spun on their heels and released a shimmering indie-pop song that's quite possibly their best single yet.

Don't Delete The Kisses is "the most synth-heavy tune we've made", the band told Beats 1 - and, sure enough, it sounds like it's been beamed in from the soundtrack to a lost John Hughes movie. Or, more accurately, a John Hughes script shot by Nicholas Winding Refn.

In the spoken-word verses, Ellie Rowsell plays a girl who can't strike up the courage to approach the object of her affections.

I'd like to get to know you
I'd like to take you out
We'd go to the Hail Mary
And afterwards make out
Instead I'm typing you a message
That I know I'll never send
Rewriting old excuses
Delete the kisses at the end

The chorus lets out all that frustrated energy with a cathartic cry of, "Me and you were meant to be in love!"

"I kind of wanted to make one of those head out the window on a long drive tunes," Ellie told Beats 1. "And I wanted to try my hand at like a hold-nothing-back love song. Those were my thoughts. But other than that I just kinda let it go where it wanted to go... I just think if you hold back it will sound worse won't it?"

It's really rather brilliant.


Don't Delete The Kisses comes from Wolf Alice's second album, Visions Of A Life, which is out in September.

The band revealed the (unbelievably creepy) artwork on Twitter last night as they set off on a month-long US tour.

That's a photo of Ellie's aunty Helen playing the classic game of 'dance round the horse's skull in your Sunday best' pic.twitter.com/QqoHLGsHM4

— wolf alice (@wolfalicemusic) July 5, 2017

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New Wolf Alice: Yuk Foo

"See you down the moshpit, hehehehehehehehe" wrote Wolf Alice, as they uploaded this song to YouTube. And you can see why - this is a garment-rending primal scream of a record, aimed at every patronising comment and internet troll who made Ellie Rowsell's shit list over the last five years. The title, as you may have noticed, is a spoonerism.

"I guess it's just kind of an anthem of frustration," Ellie told Radio 1 who premiered (a heavily censored version of) the single earlier tonight.

"If anything annoys you, this is how I would imagine I would like to react, and probably can't."

You can the sweary mix of the single above, and the "radio edit" and interview below.

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Discopop Directory: Top 10 Albums of 2015

Happy new year! And now that 2015 is finally behind us, here is a "definitive" list of the year's best albums, as dictated by my iTunes play counts.

I'm afraid it's bad news for Adele.

10) Lana Del Rey - Honeymoon
The modern flourishes and hip-hop beats have been erased, allowing Lana to plunge headfirst into her oily black pool of languorous melodrama. The songs are stronger, the melodies more memorable, her vocals more confidently authored. And anyone who accuses her of being submissive isn’t listening properly. “The truth is,” she sighs. "I never bought into your bullshit.” Well, quite.




9) Wolf Alice - Our Love Is Cool
Wolf Alice were so confident in their debut album that they left off their best single - Moaning Lisa Smile. The fact you don’t miss it only validates their chutzpah. Four years in the making, My Love Is Cool mixes up the grunge-lite of their early EPs with ethereal, melodic rock and - on Freazy - blissed out psych-pop. A surprisingly accessible rock record.




8) Years & Years - Communion
Olly Alexander paints a depressing picture of 21st century romance, with lyrics like "I'll do what you like if you stay the night" and "Let me take your heart / Love you in the dark / No one has to see." But, to be honest, I didn't notice until I wrote this list. The words wash over you - but the music is crisp, smart and surprisingly deep.




7) Ibeyi - Ibeyi
French-Cuban twins Lisa and Naomi Díaz sing in a mixture of Yoruba and English, mixing deep soul with African tradition, Cuban jazz and electronic samples. It shouldn't work - but the result is one of the most textured, original albums of the year.





6) Chvrches - Every Open Eye
Juddering synth-pop with a soft centre, thanks to Lauren Mayberry’s songbird vocals, which somehow manage to convey strength and vulnerability at the same time. Every Open Eye is essentially a streamlined version of Chvrches' debut album, with value-addded stadium-ready choruses. Even the one where the bloke sings isn’t that bad.




5) Courtney Barnett - Sometimes I Sit and Think, and Sometimes I Just Sit
The best record, lyrically-speaking, of the year. It opens with Courtney trying to stop a suicidal teenager jumping off a building - only to discover he’s just admiring the view. Later, she trains an acerbic eye on people moving to the suburbs and buying organic vegetables. It’s like a Woody Allen film, set to sloppy lo-fi punk. In other words: Magnificent.




4) Carly Rae Jepsen - E•MO•TION
In the making of this album, Carly Rae Jepsen recorded and rejected songs with Swedish pop overlord Max Martin. That should give you an idea of the quality threshold. She beats Taylor Swift at her own game, crafting a hazy 80s wonderland, full of reverberant saxophones and ridiculous synth hits - but never puts her baby toe over the cheese threshold. The lyrics constantly subvert pop cliche ("I think I broke up with my boyfriend today - but I've got worse problems"), while Your Type is a more heartbreaking than 7.8 million Adele albums combined.




3) Kendrick Lamar - To Pimp A Butterfly
Police violence, white fear, black hypocrisy, media manipulation, the devil's temptation, fame, sex, depression, income tax... Is there a topic To Pimp A Butterfly doesn't tackle? The year's biggest album - conceptually and musically - is initially hard to digest, but proffers fresh rewards every time you listen. Bonus points for extended use of jazz clarinet.




2) Janet Jackson - Unbreakable
A solid gold return to form after a run of hopeless misfires. What changed? Well, for the first time since The Velvet Rope, Janet has something to say - musing on the nature of love and loss after a decidedly dark decade. Broken Hearts Heal, her tribute to Michael, is philosophical ("Broken hearts live longer") without being cloying; while Lessons Learned is a nuanced examination of domestic abuse. Add to that the slinky No Sleeep and the Sly Stone tribute Gon B Alright and you have an album as classy as it is catchy. (Although you could trim off tracks 11, 12, 13 and 15 and never miss them).



1) Tove Styrke - Kiddo
Fierce, funny and irresistible - Kiddo is Swedish pop with the autopilot smashed to smithereens. Tove Styrke mocks her Swedish Idol background ("Hijack the idea of a girl that obeys / Ha-ha-ha-ha oh my / Laugh it in the face") and spits venom at the self-obsessed ("I hope you hit the ground hard when you fell for yourself.") If you like the kilter of your pop set to "off", this is a perfect package.

Well, there you go. If you'd asked me before I consulted iTunes, I'd have said Kendrick Lamar would be number one, and that Marina and the Diamonds or The Staves would creep into the Top 10. But there you go, the play counts don't lie. Turns out I really, really like the Tove Styrke album - and the Years & Years one is good for doing the dishes to. Take that, 2015.

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Wolf Alice are away with the fairies

Wolf Alice have rebounded from their Mercury Prize SNUB with a colourful video for their new single, Freazy.

It finds the band playing in a gaudy technicolour dreamscape, when they stumble on a mysterious plant that sends them on what can only be described as a "far out freaky trip, dude".

It's a clever treatment that helps reinforce the band's outsider status on what is, essentially, a really pretty pop song. It's also nice to hear the band namecheck themselves in the chorus ("Do you really wanna... with Alice? Do you really wanna... with the Wolf).

"We’ve got the name of our band in the song!" bassist Theo Ellis told DIY mag. "Like a rapper! Or Superfood!"


Freazy also got a beautiful, string-assisted Live Lounge treatment last Friday. You can watch that on the Radio 1 website "while stocks last".


NB: Don't do drugs, kids

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A tiny Jessie Ware concert, and other songs you may have missed.

A semi-regular round-up of all the music I couldn't squeeze onto the blog in the last seven days.

Here's this week's selection...

1) Jessie Ware - Tiny Desk Concert
The brilliant Tiny Desk series on US radio network NPR requires musicians to play a no bells and even fewer whistles acoustic set in their offices.

Jessie Ware is the perfect artist for this sort of thing. Her gorgeous, complex alto is enough to keep you captivated, even when the backing track disappears.

She performs Say You Love Me, Wildest Moments and Champagne Kisses. The best 15 minutes you'll spend all week.





2) Rihanna - James Joint
Released in celebration of cannabis enthusiasm day 20 April (420 in American calendar-speak) this is a brief interlude from Rihanna's forthcoming LP.

Suitably laid back and hazy, it's easily the best thing she's released this year.






3) Raury - Fly
Written immediately after news broke that police officer Darren Wilson was not being indicted for murdering unarmed teenager Mike Brown, Raury's heartfelt, complicated plea for a peaceful revolution was a sucker punch to the gut when it premiered in January.

It's even more powerful now that it has a video, which takes an animated trip through the highs and lows of black history in America.





4) Wolf Alice - Bros
Sadly not a tribute to Matt, Luke and Ken, the new single by Wolf Alice is instead a sentimental ode to childhood best friends.

It's been re-recorded since the 2013 original, much to the anger of fans, who seethed on Soundcloud: "Another great song completly ruined by the record business".

I think both versions approach perfection.







5) Natalie Imbruglia - Instant Crush
A Mad Men-inspired video for Imbruglia's acoustic take on the Daft Punk / Julian Casablancas track. What's not to love?





6) Hudson Mohawke - Ryderz
Hudson Mohawke sounds like a Hoxton clothing brand, but actually it's Scottish producer Ross Birchard. He's the backroom boffin behind many of Kanye West's more sonically adventurous productions. In fact, it was to his studio that West fled after this year's Brits to finish off All Day.

He's got his own album, Latern, coming out very soon and this song - which samples D.J. Rogers' Watch Out For The Riders - is one of its many highlights.







7) Chemical Brothers - Sometimes I Feel So Deserted
Back after a break of five years and sounding exactly the same as they did in 1998, here are the Chemical Brothers doing a song that goes bleep and bloop with the sort of computer generated visuals that make stoned people think they're in hyperspace.

Their eighth album, Born In The Echoes, will feature vocals from St Vincent (hooray!), Q-Tip (huzzah!) and Beck (Beck!).




8) The Go Team! - Ya Ya Yamaha
This Record Store Day exclusive is described as "a French girl on a motorcycle song," whatever that means.

All I know is that it's bloody racket, and all the better for it.





9) Sia - Fire Meet Gasoline
Starring Heidi Klum and Game of Thrones' star Pedro Pascal, this video tells an age-old story: Boy meets girl, boy falls in love, boy murders someone with a rock, boy shows girl the murder weapon, boy and girl have sex, boy and girl burn a house down.

Don't say it hasn't happened to you, too.




10) Tove Lo - Elastic Heart
Earlier year, Tove Lo had to cancel a bunch of performances to have vocal surgery - and doctors warned her she may never sing again.

After coming round from the anaesthetic she "couldn't say anything for five days," the singer told Billboard. "I almost choked on a spring roll because I wasn't supposed to cough! My voice started coming back a little; it sounded very different at first, which is scary."

But judging by this Sia cover, her voice is better than ever. Welcome back, Tove!





11) Young Wonder - Sweet Dreaming
Irish electro-pop duo Young Wonder have been biding their time while they piece together their debut LP. Rather than rush out a half-finished record to capitalise on the success of their eponymous 2013 EP, they've spent 24 months getting it just right.

The delicate production buoys Rachel Koeman's overlapping vocals to create something people are going to be very, very fond of.






12) Jones - Indluge
A gentle love song that's as wickedly indulgent as clotted cream.






13) Adam Lambert - Ghost Town
I've never warmed to Adam Lambert's music - whose lack of originality runs in direct proportion to the intensity of his eyeliner.

But teaming up with Max Martin seems to have solved all of that. Ghost Town is unexpected and unusual, combining guitar-pop and house beats with a surprisingly catchy whistled hook.





14) K Stewart - Keeping You Up
KStewart says she's influenced by Mariah, Whitney and Christina - but thankfully it's only the restrained, pop-centric moments she's interested in, as evidenced on this bubbly, 90s-style slice of harmonic pop.

Self-released on her own imprint Cherry Jam Records, it is one amazing remix away from being the sound of the summer.

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Wolf Alice and the Giant Peach

Headbanging rock outfit Wolf Alice are gearing up for the release of their debut album, My Love Is Cool - and to celebrate finishing the record, they've bunged a new track up online.

Giant Peach is very, very clearly an album track - but what a magnificent racket it makes. Full-throated screaming and door-slamming riffs abound and, while it's not my normal cup of tea, the blend is superlative.

To paraphrase C+C Music Factory: "Everybody mosh now."



The band's larynx-shredding frontwoman Ellie Roswell gave me one of my favourite Glastonbury interviews of 2014. Here's the best bit.

What's on your rider?

Hummus. That's it. We're a modest band. We just want hummus and we're happy.

Not even some bread to mop it up?

No, we just use our fingers.

Doesn't that make the instruments sticky?

No. It just means that when you get hungry on stage you can just lick your strings.

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Grimes is Go and 14 other songs you may have missed

After a week away and a major music festival, there's plenty of great music to catch up with in this edition of "songs you may have missed". 

I've included a few clips from Glastonbury, mixed up with songs that premiered during my self-imposed blog absence.

It all begins with the welcome return of the artist currently known to her parents as Claire Boucher.

1) Grimes - Go (ft Blood Dragon)
Written for (and rejected by) Rihanna, this is the most straightforward, bubbly pop song Grimes has ever released. She describes it as a "summer jam" and she's not wrong. It's available as a free download from her website right now.




2) Ellie Goulding - I Need Your Love (acoustic at Glastonbury)
Yes, she's a fully-fledged dance diva these days but I still maintain Ellie's voice is best suited to this sort of musical arrangement. Bring on the 2018 acoustic album.




3) Usher - Good Kisser (Disclosure remix)
Better than the original. Try not to think about the lyrics.





4) Craig David - Cold
Is it time for a Craig David revival? Are you missing the Flava? Are the crowd saying Bo Selecta? Who knows, but this song is 100% not shit.

5) Amy Milner - Have It All
Newcomer Amy Milner took my breath away with this luscious, dreamy piano ballad. It's simple - almost predictably so - but there's a moment where the backing vocals kick in that indicates a compositional genius at work.

Amy is unsigned right now but she's getting some support from BBC Intriducing in her native Sussex. One to watch.






6) Becky G - Shower
This sounds like a monster hit to me. Co-written by Dr Luke, it's got a "why did no-one think of this before" lyric ('you got me singing in the shower') and a "la-da-dee" vocal hook that will burrow into your grey matter and establish an independent republic. You have been warned.





7) Jurassic 5 - Improvise (live at Glastonbury)
Gutted I missed this one... Taking four MCs and make 'em sound like one.





8) Cate Le Bon - Sisters (live at Glastonbury)
Isn't it strange how the Welsh accent occasionally sounds French when you're singing?

9) Broods - LAF
It stands for "Loose As Fuck", and it contains a Spice Girls reference in the second verse. What's not to love?





10) Kelis - Friday Fish Fry (live at Glastonbury)
One of the few performances I actually got to see at Glastonbury this year was Kelis's feel-good, big band soul revue. A highlight in the sunlight.




11) Tiann - Devil's Touch
Subtle, melodious R&B that is - praise the lord - not at all dark and depressing. An refreshing antidote to the mopey soul of Banks and Drake and their "ilk".






12) Kiesza - Giant In My Heart
A companion piece to Arcade Fire's We Exist video, with a deep house soundtrack. Heartwarming.

13) Manic Street Preachers - Motorcycle Emptiness (live at Glastonbury)
This is magnificent. Why they were below Jake Bugg on the bill is a mystery and a crime.





14) Sam Smith - How Will I Know (Whitney Houston cover)
Thanks, Sam, for stripping every ounce of joy and vibrancy out of this song. Thanks a bundle.





15) Wolf Alice - Radio 1 Rocks, full set
London grunge-rock revivalists Wolf Alice recorded this blistering session for Radio 1's Rock week last month, but I've only just caught up with it.

All five songs in the set are magnificent but fast forward to the end for a brand new, untitled track which is a full-throated screamathon of brilliance.

PHEW! That was a lot to get through. Well done if you persevered to the bitter end!

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